Regarding the comics industry recent reholder scandal / scam, please note that all books I sell were submitted directly by me to CGC at various comic conventions (as well as the occasional private signing event). I do not buy already graded books and then resell them. So every CGC item I have for sale was graded by CGC and then came directly to me and not through another dealer. Please further note that photos, prints, and original art sketches (that are not on actual comic books but are rather just on sketch paper or the like? i.e. anything certified by CGC that does not have a grade, are not searchable on their site by the serial number. Only graded comics and magazines - items with grades - are searchable by serial number. However, for such items not searchable on their site, you can call CGC Customer Service and they can verify the item authentication over the phone.
The George Pérez Collection
Vault Collectibles is honored to bring George Pérez’s personal comic book collection to and to share his tremendous legacy with his countless fans and collectors. The listings will appear under our userid - empire.auctions (search keywords George Perez Pedigree under that ID) - beginning September 29. They will run in a ten-day auction format to end Sunday evenings with new listings beginning every Thursday until the final lot appears in mid-December.
The Collection includes approximately 600 items; comic books, graphic novels, magazines, and miscellanea that Mr. Pérez kept over the years and stored in his studio. Over 100 items will be offered ‘raw’ and include a Vault Collectibles Certificate of Authenticity. These include graphic novels, independent publisher titles, as well as price guides, magazines, and more. The remainder have been graded and certified by the comic industry's preeminent grading service, Comics Guaranty Company (CGC).
Fans will have a wide variety to choose from in these auctions and will see not only the depth and scope of Mr. Pérez's contributions to the unique art form of comics but his tremendous accomplishments in the field as well.
About George Pérez
George Pérez’s amazing career spans five decades, beginning in 1974 with a 2-page spread in Astonishing Tales #25. Since that time he helped revolutionize and revitalize several characters and titles, including The New Teen Titans (also co-creating several of the new members with writer Marv Wolfman), Wonder Woman, The Avengers, and the entire DC Universe itself in the landmark Crisis on Infinite Earths series (again with Wolfman) and its companion piece, the History of the DC Universe. More recently, he again helped redefine DC through Infinite Crisis and the relaunch of Superman under DC’s New 52.
In addition to ground-breaking events, Pérez has provided fantastic work for many other titles including The Justice League of America, The Infinity Gauntlet, The Hulk: Future Imperfect, Batman, The X-Men, Superman, The Fantastic Four, and the personal dream project JLA/Avengers that brought together DC and Marvel’s preeminent super teams. Many of his contributions have made it onto the silver screen, including strong influences on DC’s Wonder Woman films (indeed, Pérez's Wonder Woman work was the very basis of the first film) and in Marvel’s cinematic universe (Pérez's influence can be seen in everything from the gauntlet ‘snap’ - which Pérez first illustrated - to the main Age of Ultron fight scene which was specifically based on Perez’s artwork).
A true humanitarian as well, Pérez helped raise funds for numerous charities over the course of his career and also co-founded A.C.T.O.R. (now known as the Hero Initiative), the first federally recognized not-for-profit organization dedicated to helping comic book creators in need.
Recognized by industry professionals as well as fans, Pérez has won multiple awards and honors, including several Eagle Awards (one along with Jim Shooter, Sal Buscema, and David Wenzel) for Best Continued Story on The Avengers, one for Best Cover for Avengers #185, and one for Favorite Artist (penciler) in 1986. He won the Inkpot Award in 1983 and his work along with Wolfman on Crisis on Infinite Earths won the 1985 and 1986 Jack Kirby Awards for Best Finite Series. He has also won numerous Comic Buyer’s Guide Fan Awards. In 1985, Pérez was included as an honoree among the most influential contributors to DC Comics’ history in the company’s 50th-anniversary publication Fifty Who Made DC Great. Most recently, Pérez received the Inkwell Awards Stacey Aragon Special Recognition Award for his lifetime achievement in inking.
Pérez’s work on the Justice League of America:
Taking over pencilling Justice League of America (after the passing of long-time JLA illustrator Dick Dillon), Pérez finally received his long sought-after chance to illustrate DC's preeminent super-team. Seeing the JLA as a natural progression from his work on Marvel's Avengers, the very reason Perez accepted Marv Wolfman's invitation earlier that year (1980) to illustrate The New Teen Titans was in hopes his work there would eventually land him the JLA. And in 1980, his first year at DC, it didn't take long to realize his ambition.
Beginning with the backup Firestorm story in The Flash #283 (Sept., 1980), then his first DC Cover later that month - Green Lantern #132), Perez would then illustrate the introduction of the New Teen Titans in DC Comics Presents #26 (Oct., 1980) with the launch of the teams own title the following month (Nov., 1980). In that month, he would also take over the JLA with issue #184. He would go on to illustrate #185 and #186, then take about a half-year hiatus before returning to the series with issue #192. Issue #220 (1983) would be his 26th and final issue contributing to the series. He completely left the title to continue his work on the New Teen Titans and, in 1985, Crisis on Infinite Earths, and would not pencil the JLA as a team again until twenty years later in the 2003 landmark series JLA/Avengers crossover event.