Arco Guide To Art At The Breakers * and similar items
ARCO Guide to Art at THE BREAKERS * Montecito CA SANTA BARBARA Map + list bklet
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View full item details »
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Seller handling time is 5 business days Details
$7.95 to United States
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Details
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Item traits
Category: | |
---|---|
Quantity Available: |
Only one in stock, order soon |
Condition: |
Very Good |
Author: |
ARCO |
Book Title: |
Guide to the Art at the Breakers leaflet list artworks |
Language: |
eng/English |
Topic: |
Art |
Format: |
leaflet / paper back wraps |
Type: |
collection catalog |
Subject: |
Private museum guide |
Listing details
Seller policies: | |
---|---|
Posted for sale: |
More than a week ago |
Item number: |
1681768006 |
Item description
Book / Booklet, reprint edition.
Author: ARCO; The Breakers Seminar Building, Atlantic Richfield
Company, Montecito area of Santa Barbara, California.
Title: A Guide to the Art at the Breakers (leaflet, guide to
artworks, map c1980s)
Subject: Guide book to the private ARCO Art collection at "The
Breakers" in Montecito CA. A private retreat for Arco employees,
executives.
-- A biography of Works Hanging at
This Private Building, complex in Montecito California, Herbert Bayer, Private
Collection of works
Not Illustrated with the exception of
the map of the building. Clean and Unmarked Text: Arco / Not Dated, 12
page booklet.
Staple bound chapbook, Flex Cover / Modern REPRINT: reprint, later modern
edition. No reprint date.
Condition: Clean and Unmarked Text. Paperback : soft cover edition in
very good condition, a typical used book with slight wear to edges and spine.
Overall good / nice copy of this scarce title. REPRINT EDITION.
About the creators:
Herbert Bayer (1900-85), Austrian graphic
designer, painter, photographer, sculptor, Art Director, environmental
interior designer and Architect, was widely recognized as the last living member
of the Bauhaus and was instrumental in the development of the Atlantic Richfield
Company's corporate art collection until his death in 1985. Bayer apprenticed
under the artist Georg Schmidthammer in Linz. Leaving the workshop to study at
the Darmstadt Artists' Colony, he became interested in Walter Gropius's Bauhaus
manifesto. After Bayer had studied for four years at the Bauhaus under such
teachers as Wassily Kandinsky and Laszlholy-Nagy, Gropius appointed Bayer
director of printing and advertising. In the spirit of reductive minimalism,
Bayer developed a crisp visual style and adopted use of all-lowercase, sans
serif typefaces for most Bauhaus publications.
Bayer is one
of several typographers of the period including Kurt Schwitters and Jan
Tschichold who experimented with the creation of a simplified more
phonetic-based alphabet. Bayer designed the 1925 geometric sans-serif typeface
called universal, now issued in digital form as Bayer Universal. The design also
inspired ITC Bauhaus and Architype Bayer, which bears comparison with the
stylistically related typeface Architype Schwitters.
In 1928, Bayer left
the Bauhaus to become art director of Vogue magazine's Berlin office. He
remained in Germany far later than most other progressives. In 1936 he designed
a brochure for the Deutschland Ausstellung, an exhibition for tourists in Berlin
during the 1936 Olympic Games - the brochure celebrated life in the Third Reich,
and the authority of Hitler. However, in 1937, works of Bayer's were included in
the Nazi propaganda exhibition Degenerate Art , upon which he left Germany in
1938 to settle in New York City where he had a long and distinguished career in
nearly every aspect of the graphic arts.
In 1944 Bayer
married Joella Syrara Haweis, the daughter of poet Mina Loy. In 1946 the Bayers
relocated. Hired by industrialist and visionary Walter Paepcke, Bayer moved to
Aspen, Colorado as Paepcke promoted skiing as a popular sport. Bayer's
architectural work in the town included co-designing the Aspen Institute and
restoring the Wheeler Opera House, but his production of promotional posters
identified skiing with wit, excitement, and glamour. In 1959, he designed his
fonetik alfabet , a phonetic alphabet, for English. It was sans-serif and
without capital letters. He had special symbols for the endings -ed, -ory, -ing,
and -ion, as well as the digraphs "ch", "sh", and "ng". An underline indicated
the doubling of a consonant in traditional orthography.
While living
in Aspen, Bayer had a chance meeting with the eccentric oilman, outdoorsman and
(to those who knew him) visionary ecologist, Robert O. Anderson. When Anderson
saw the ultra-modern, Bauhaus-inspired home that Bayer had designed built in
Aspen, he walked up to the front door and introduced himself. It was the
beginning of a life-long friendship between the two men and instigated
Anderson's insatiable passion for compulsively collecting contemporary art. With
Anderson's eventual formation of the Atlantic Richfield Company, and as his
personal art collection quickly overflowed out of his New Mexico ranch and other
homes, ARCO soon held the unique distinction of possessing the world's largest
corporate Art Collection, under the critical eye and sharp direction of Bayer as
Arco's Design Consultant.
Overseeing
acquisitions from within Arco Plaza, the newly-built twin 51 story office towers
in Los Angeles, Bayer was also responsible for the Arco logo and designing all
corporate "branding" related to the company. Prior to the completion of Arco
Plaza, Anderson commissioned Bayer to design a monumental sculpture-fountain to
be installed between the dark green granite towers. Double Ascension still
stands between the twin skyscrapers to this day. Under Bayer's and Corporate Art
Curator Leila Mehle's direction supervision, Arco's Collection grew to nearly
30,000 Artworks nationwide.
Arco's
collection was quite eclectic, and consisted of an extremely wide range of media
styles; ranging from large resin sculptures by Dewain Valentine to original
signed photographs by Ansel Adams. The vast majority of the collection consisted
of original "signed" prints "artist's proofs" of hand-pulled prints. Major
works were reserved for lobbies, reception areas and executive upper
management offices. Bayer and Ms. Mehle instigated a unique program for the
collection in that large paintings and sculptures were often "circulated" within
the company and transported from one Arco building to another, often making the
journey from LA to New York and back again.
With the
purchase of Anaconda Copper, Arco built an office tower in downtown Denver, and
again, Anderson commissioned Bayer to oversee Anaconda's Art Collection for the
new company. Eventually, Bayer gave the Denver Art Museum a collection of around
8,000 of his works. Bayer's works appear in prominent public and private
collections including the MIT List Visual Arts Center.
About Corporate owner of The Breakers complex:
ARCO is a brand of gasoline stations owned by Marathon Petroleum. BP, which
formerly owned the brand, uses it in Northern California, Oregon and Washington,
while Marathon has rights for the rest of the United States and Mexico.
ARCO was established in 1966 as the Atlantic Richfield Company, an independent
oil and gas company formed from the merger of Atlantic Petroleum and the
Richfield Oil Corporation.
From 1966 to 2000, the Atlantic Richfield Company, doing business as ARCO, was
an independent American oil company with operations in the United States,
Indonesia, the North Sea, the South China Sea and Mexico. After its
acquisition of Anaconda Copper Mining Company in 1977,
ARCO had owned hard rock mines in several western states, which has created
environmental clean-up liabilities to the company to this day even after the
mines were closed in the early 1980s. (All excerpted from Wikipedia)
The Breakers is a private complex in Montecito California. "...The visual
suggestion is appropriate, for even as Bayer?s art has become predictable and
mechanical in its designerly perfection, it retains the optimistic freshness of
the period that spawned him. Maquettes and photographs on display reveal such
liberating concepts as a ?Walk-in Space Painting? at Arco Breakers, an executive
training center in Montecito. This ?painting? is a colorful, multipart sculpture
installed with steppingstones in a round pond. Visitors can traverse the pool
through glazed-brick gates that look like a three-dimensional painting..."
(excerpt from LA Times article. https://www.latimes.com/archives/la-xpm-1985-08-28-ca-25185-story.html)
Clean and Unmarked Text. Very Good condition. Text is in English.
~ Reproduced in black and white -- same as original issue.
Modern, undated. -- Facsimile edition
-- Defects:
None found. Only edge wear from being on the shelf.
Enjoy!!
-- Location:
Book inventory, 5028536-452 Arco Breatkers
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