*GOLDFINGER (1964) Lot of 2 Photos Shirley and 50 similar items
*GOLDFINGER (1964) Lot of 2 Photos Shirley Eaton Being Covered With Gold Paint
$50.00
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View full item details »
Shipping options
Offer policy
OBO - Seller accepts offers on this item.
Details
Return policy
Refunds available: See booth/item description for details
Details
Purchase protection
Payment options
PayPal accepted
PayPal Credit accepted
Venmo accepted
PayPal, MasterCard, Visa, Discover, and American Express accepted
Maestro accepted
Amazon Pay accepted
Nuvei accepted
Item traits
Category: | |
---|---|
Quantity Available: |
Only one in stock, order soon |
Condition: |
Unspecified by seller, may be new. |
Country/Region of Manufacture: |
United States |
Size: |
8x10 inches |
Original/Reproduction: |
Reproduction |
Industry: |
Movies |
Object Type: |
Photograph |
Style: |
Color |
Actors: |
Shirley Eaton |
Item Number: |
CS-GOLDFINGER-2S |
Modified Item: |
No |
Film Title: |
Goldfinger |
Distributor: |
United Artists |
Year: |
1964 |
Director: |
Guy Hamilton |
Item: |
Lot of 2 single-weight glossy color photographs |
Listing details
Seller policies: | |
---|---|
Shipping discount: |
No combined shipping offered |
Posted for sale: |
More than a week ago |
Item number: |
763206464 |
Item description
Group of 2 (two) vintage 8x10 in. US single-weight glossy color copy photographs (not vintage original photos printed at the time they were taken) from the classic James Bond 007 film, GOLDFINGER, released in 1964 by United Artists and directed by Guy Hamilton. Based upon the novel by Ian Fleming, while investigating a gold magnate's (Gert Fröbe) smuggling, James Bond (Sean Connery) uncovers a plot to contaminate the Fort Knox gold reserve.
The first of two color photographs depicted features a great behind-the-scenes image of actress Shirley Eaton (as Jill Masterson) having gold paint literally painted on to her body with a paint brush as the tips of her breasts are covered by a small conical cover as a vintage reel-to-reel tape recorder sits in the background. The second of two photographs depicts a scene of Miss Eaton from the film itself as she lies dead from her body being covered with paint.
Both photographs, which were most likely printed in the 1980's, are in very fine+ condition without any pinholes, tears, stains, or other flaws.
Shirley Eaton underwent two hours of make-up
application which involved being gold-painted to become a gold painted corpse.
Author Ian Fleming had borrowed the notion of someone being
suffocated to death by being covered in gold paint from the horror movie, Bedlam (1946). However, "skin
suffocation" by being coated in gold is a complication that, contrary to
popular belief, has no basis in fact. The belief depends on the incorrect
supposition that respiration occurs, at least in part, through the skin, a
fallacy that has been discredited in scientific circles since the Renaissance.
Despite periodic debunking in the popular media (especially noteworthy is a
1978 column of the syndicated newspaper feature, "The Straight Dope",
and a 2003 episode of the Discovery Channel series, MythBusters (2003)), a widespread belief in the myth of
"skin suffocation" still exists, further bolstered by urban legends
that Eaton had actually died on set from skin asphyxiation. In fact, careful
precautions were taken during the shoot. A doctor was on set at all times, and
Easton's stomach was left bare to allow for "breathing". Her shots
lasted less than five minutes in the finished movie and the filming of them was
shot quickly, wrapped in a morning's work. Then she was scrubbed down by the
wardrobe mistress and the make-up girl, and sweated off the remaining gold in several
Turkish baths. Eaton is still very much alive as of March 2019. Although skin
suffocation is impossible, due to the fact that the skin is the main surface
for temperature exchange through its pores, one can die from extreme
overheating if the pores of the skin are covered for too long.
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